Archaeological Site 3D Drone Mapping | Nuraghe | Sardinia

We discuss our recent visit to a huge unexcavated archaeological site in the territory of Las Plassas (Sardinia, Italy). We generated a series of aerial maps using a DJI Inspire 1 drone with an X5R camera mounting the standard 15mm lens and with the help of an app called DroneDeploy. The maps suggest the presence of cropmarks, i.e. man-made structures surround the site. I will walk you through the mapping process and also discuss how aerial photography can be a great tool for archaeological surveys.

Production Highlights

  • SUMMARY:
    Drone surveys, action shots, interviews
  • Location:
    Barumini, LasPlassas, Tuili (Italy)
  • Cameras:
    Canon C200, DJI Zenmuse X5R
  • Sound:
    Sennheiser AVX ME, Rode Stereo Mic
  • Monitor/Rec:
    Aputure monitor
  • Editing:
    Davinci Resolve, Premiere Pro, After Effects, Audition
  • Crew:
    Samuele Lilliu, 3 freelancers

Today I’d like to discuss about our recent visit to the Nuraghe s’Uraxi located in the territory of Lasplassas in Sardinia.

We generated a series of aerial maps using a DJI Inspire 1 drone with an X5R camera mounting the standard 16mm lens and with the help of an app called DroneDeploy. I will walk you through the mapping process and also discuss how aerial photography can be a great tool for archaeological surveys.

Our relatively short trip starts from the town of Barumini, known for the UNESCO archaeological site Su Nuraxi. Last year we did a tour around several nuraghi in the territory of Barumini and today I’d like to discuss about what could be a very large nuraghe potentially surrounded by a village. After only 3 Km drive from Barumini, we reach Lasplassas, which is the ideal centre of the Marmilla region. The town is known for its castle, which was built on a conic hill, probably in the 10th century AD. The castle belonged to the Giudicato di Arborea, when Sardinia was an independent state, and its function was mainly defensive.

From Lasplassas we take a dirt road towards south west and we reach the nuraghe s’Uraxi after 10 minutes. This nuraghe has not been excavated yet, so we thought it would have been very interesting to take some shots from above.

In the past years there has been a kind of revolution in archaeology, virtually allowing archaeologists to see through the ground without digging. In this sense, drones are particularly interesting.  In fact with a drone you can take multiple image from different positions and then stitch these images together to create a huge georeferenced map. Obviously the best solution to have an idea of what is buried underground would be to use advanced tools such as multispectral cameras or ground penetrating radars (GPR). However, something can be even done with a standard RGB camera.

Soils define how plants grow and can be affected by man-made features that are buried underground. Variations in the density and the colour of the vegetation are often referred as  “cropmarks”. To generate this large picture of the site we used a trial version of the DroneDeploy app. This app helps the drone raster scanning the area and then collecting hundreds of pictures, which are georeferenced. These images can be then uploaded to the DroneDeploy servers, which are then merged into a massive geoTiff, in this case, with a resolution of about 2cm per pixel.

It is also possible to generate a 3D model. However, in order to do so, you will need to collect more images from different angles. The images are stitched together by the DroneDeploy software and then can be visualized from the DroneDeploy website. You can also download a 3D model.

Another map that can be extracted is the NDVI or Normalized Difference Vegetation Index (NDVI). NDVI is used to assess the plant health and can also highlight the presence of cropmarks. However for NDVI you will need a NIR camera. A similar index that however works on the RGB channels is called VARI and again can give an idea of the presence of cropmarks. As you can see there are areas suggesting the presence of structures underneath. We cannot be sure on the nature of these structures, which could be rocks as well as walls.

So we decided to show this data to one of the most prominent archaeologists in Sardinia. We met with Dr. Giorgio Murru at the museum of LasPlassas called MudA.

Giorgio Murru (GM). Nuraghes are ancient megalithic stone towers. They were built during the Bronze Age (1500-1200 BC) without mortar and were held erect by the sheer weight of their roughly shaped stones.

After showing him the aerial photos of the nuraghe s’Uraxi we asked him to comment on the architecture and on the age of this site.

GM. We know that this is a large nuraghe made of several towers, a complex nuraghe. These towers will need to be carefully studied after the excavation. This nuraghe was probably built between the Intermediate Bronze Age and the beginning of the Late Bronze Age.

We then asked him to comment on the variations in the density of the vegetation in this site and the presence of positive or negative cropmarks.

GM. These elements are fundamental for understanding the presence of potential walls or building remains, such as huts surrounding the nuraghe. We should also consider that this hill is made of marlstone and that this calcite soil can influence the vegetation. The rock used for the construction of s’Uraxi is a Miocene marlstone, also in the arenaceous variants, which characterise not only this nuraghe but also other nuraghi in the Marmilla region. It is always difficult to know exactly what the function of the nuraghi was. Today, we should think of nuraghi as part of a system. We cannot isolate them. We should see them as part of the territory, where each of them could have had its own function. The location of s’Uraxi can be considered as sort of lockout post controlling a penetration route from the river to an hilly upland.

We then asked him to comment on the positive outcomes of an excavation of such a large site.

GM. An archaeological excavation is always science. Science should give answers. It should add important elements to people’s history. I believe that when communities become aware of their history, they can turn this into an economical benefit, because this means social and cultural growth, along with the possibility of investing in the future.

Overall, this has been a great and enriching experience, especially after discussing with Dr. Murru.

Maps can be downloaded from https://goo.gl/gGocXm and reused under CC BY-NC-SA. See details here: https://goo.gl/Xxnnv8. This license lets you remix, tweak, and build upon our work non-commercially, as long as you credit us and license your new creations under the identical terms. Please cite as: Source Map(s) by Samuele Lilliu is (are) licensed under CC BY-NC-SA, see https://youtu.be/fN1phqWil8s.This folder contains: (1) an orthomosaic/plant health maps and a 3D model of the Nuraghe s’Uraxi, (2) an orthomosaic/elevation map and a 3D model of the Castello di Lasplassas. These can also be visualized at the following links:- Nuraghe: https://goo.gl/UuEv1z - Castello Lasplassas: https://goo.gl/8Ui4F8

Gear:

  • DJI Inspire 1 raw (Zenmuse X5R camera with DJI MFT 15mm f/1.7 lens);
  • DJI Osmo handle + Z-axis
  • Canon C200 with Canon 24-105 mm f3.5-5.6 and Samyang 14mm f2.8 lenses
  • Manfrotto kit Nitrotech N8, 535 tripod
  • Edelkrone slider with Action and Target modules
  • Custom Ducati Multistrada 620 Dark
  • Davinci Resolve Studio and Adobe Premiere Pro